Monthly Archives: September 2011

Mexican Film Festival, Silverbird Cinemas, Abuja, 16-17 September 2011 (Isyaku Jalingo’s Hausa film Ciki Daya will be shown on 17 September 2011)


The Embassy of Mexico in Nigeria in Collaboration with the Nigerian Film Corporation presents the Maiden Edition of the Mexican Film Festival 16-17 September 2011, at Silverbird Cinemas,  behind Yar’adua Centre, Abuja.

Two Nigerian films will also be shown. Mak Kusare’s film Duty on 16 September and Isyaka Jalingo’s film Ciki Daya (which won Best Nigerian Language film at the Zuma Film Festival 2010) on 17 September 2011. For the full schedule, see below:

Schedule:

16 September 2011

Opening Ceremony Cocktail 6pm

Film Screening 7-10:30pm

Macario (Mexican)

Duty (Nigerian)

Enamorada (Mexican)

17 September 2011: Film Screening 4-11pm

El Estudiante (Mexican)

Ahi Esta El Detalle (Mexican_

Ciki Daya (Hausa)

Espiral (Mexican)

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8 weekend Screenwriting, Producing and Directing Workshop, Amaka Igwe Studios, Lagos, to begin 17 September


Screenwriting, Producing and Directing Workshop.

The Centre for Excellence in Film and Media Studies and Amaka Igwe Studios present an 8 week-weekends only – Screenwriting, Producing and Directing Workshop. Classes hold on Saturdays and Sundays only and commence on the 17th ofSeptember, 2011.

 For screenwriting, some of the courses to be covered include; Who’s a Screenwriter?, Script appreciation, Finding the Story, The Film story, Story Development, Dialogue , Writing for film and writing for Television, Characterisation, Plot and Conflict and Understanding Genre.

For Producing; Who is a producer? ,What is producing?, Breaking down a script, Shooting on time and budget, working with a director and crew, production project management. Creative producing, fundraising, Sponsorship and strategy.

For directing; Who is a Director?, Shot by Shot, Casting , Grammar of Directing, Planning the Shoot, Handling Cast and Crew, Geography of Shots, Shot Composition, Blocking and Choreography, Camera Placement, Directing Talent, Shooting for Edit.

All those specializing in screenwriting will be expected to complete the screenplay for a short film during the workshop.

Those for directing will be expected to shoot a short film.

Workshop fee is N50, 000 and this covers training materials, tea/coffee break and lunch.

Kindly make payments into this account:202148350115, Centre for Excellence in Film and Media Studies.GT Bank.

Workshop is open to only 25 participants.

The team of facilitators will be led by Amaka Igwe, Charles Igwe, Chris Ihidero, Leke Badiru and a host of others in the industry.

For further information please call Tomi – 08023525104 or come to 44A Palm Avenue, MKO Abiola Gardens, Alausa ikeja Lagos.

Call for papers for an International Conference on the Theorization and Classification of African Regional Movies. Abstract Deadline: 20 September 2011


From the Society of Movie Scholars:

African movies across its regions have grown to the extent that there is need to critically do their in-depth studies with the purpose of generating theories on their packaging, analysis and proper classification into genres. Most movies produced in Africa are packaged without recourse to definite theories. Broadly speaking, most of the movies can be categorized into three groups namely, cultural or epic; modern and religious movies. While the religious and cultural movies could be in local or foreign languages, modern movies are so described because they are often located in the context of urban or rural populace and are produced in foreign or local languages, treating themes bothering on modern issues. But where they are in local languages, they are often lazed with Pidgin English or code mixed. However, these groupings possess the tendency to overlap if these categories are to be retained. Thus, it is difficult to arrogate to these groupings as genres on their own, more so that these grading are not guided by definite theories.

To define these groups effectively therefore, it might be necessary to do a close survey of their constituents. This is when the components can be highlighted into specific genres for stimulating and rich academic exercise. It is expected as the outcome of the exercise that specialization, originality and scope-widening and thus further ground for employment creation and legitimacy of production and its development would be engendered. Then practitioners’ specializations on specific genres would increase, and the tendency to recycle old ideas for new creations would be reduced.
This conference is therefore organized with the intent of gathering interested scholars and practitioners within and outside Africa to rub minds so as to evolve specific theories of packaging, analysis, and map out what genres African movies could be grouped. Taking a leap from the fact that movies are audio-visualisation of literature and literary texts and are analysed based on definite theories, the objective therefore is to cut a niche for African movies like literature, and place them strategically in the world movie categorizations but based on African development ideals and thus globalise what hitherto were local mediations.

In view of the above, abstracts are invited from academics, media industry professionals, movie producers, distributors, government agencies, policymakers, movie regulators, agencies, donors, civil society organisations, independent consultants, research groups and students, on any aspects of the under listed sub-themes. Such abstracts which should not exceed 200 words should be based on the analysis of select movies that fall within the sub-themes. This would eventually argue out the basis for specified theories and why the movie should be classified within the genres that the scholar is advocating. Contributors should however not forget to state under which sub-theme they are submitting their abstract.
Abstracts are to be sent to our email address: moviescholars@gmail.com on or before September 20th 2011, while full paper must reach us before September 30th, 2011.

Sub-themes
Below are the likely, but by no means the only sub-themes on which abstracts can be submitted.
Trends in movie Theories.
Existing Literary Theories and the need or not, for distinct African movie theories.
Generating theories on African movies.
Emergent genres in African movies.
Movies and the relevance of African-specific genres.
Classifying African urban and rural movies.
Gender and social issues in African movies, need for classical genrization.
War and crime movies and proper classification.
Travel movies and issues of depiction.
African movies and the global media culture.
Representation of economic and political issues in African movies
Africans’ contributions to the Theories of Gaze.
Sociology and Psychology of African movies.
Conference Dates: October 27-29, 2011
Venue: Osun State University, Osogbo; Nigeria.
Proposals should include abstract title, author’s name, address, telephone number, email address, and institutional affiliation.
Conference fee: A non-refundable registration fee of N15, 000 or (USD 250, BP150 for participants from the US, Europe, and other African countries). This must be paid immediately when an abstract is accepted. It is expected that all participants will raise the funding to attend the conference please.
Enquiries:
For more details, please contact any of the following:
*Kayode Animasaun, PhD: College of Humanities and Culture Osun State University, Ikire Campus, Ikire. Convener and Chairman LOC:
+2348073787551, drkayanimasaun@gmail.Com
*Gloria Ernest-Samuel, Imo State University Owerri- Sec. LOC
+2348035085625, gloimsu@yahoo.com
*Ameh Akoh PhD H.O.D Languages and Linguistics Department, Osun State University, Ikire Campus, Ikire
: +2348035992490, amehakoh@yahoo.co.uk

For more details, please visit the website:
http://www.moviescholars.org