Monthly Archives: February 2013

September 2013 “One Fine Day Film Workshops” in Kenya, Application Deadline 1 May 2013


Crossposted from DW Akademie

Thank you to Aminu Gamawa for making us aware of this opportunity.

“One Fine Day Film Workshops”: young filmmakers from Africa telling their story. The DW Akademie joint project is now accepting applications for the workshop beginning September 2013 in Kenya.

It was a moving experience when Tosh Gitonga last fall premiered his first feature film “Nairobi Half Life” in Berlin. The packed audience gave Gitonga a lengthy round of applause. The film has been running in Kenya for half a year and is considered to be Kenya’s most successful film ever.

Tosh Gitonga at the premiere of Nairobi Half Life in Berlin (photo: DW Akademie/Nadine Wojcik).
Tosh Gitonga at the premiere in Berlin

“Nairobi Half Life” is the result of the first “One Fine Day Film Workshop” held in 2010. Another film, “Something Necessary”, resulted from the second workshop and recently started showing in Nairobi. The film is touring Germany this February and will be shown in several cities.

Africa’s film industry is attracting international interest thanks to the joint project run by ONE FINE DAY FILMS and DW Akademie. The first workshop and ensuing film production phase has already drawn attention to many talented African filmmakers.
The fourth workshop gets underway in Kenya this September. Starting now, African directors, camera operators, editors, scriptwriters, sound engineers and production designers can apply for this intense two-week workshop.

Hands-on seminar

“One Fine Day Film” workshop in Nairobi, Kenya

The workshop is closely adapted to the needs of today’s African film enthusiasts and is aimed at professionalizing the craft of filmmaking. International filmmakers will train and guide a select group of up-and-coming talents involved in various aspects of filmmaking. Participants will then go on to shoot and produce their own film.

Participants will not only learn how to develop their ideas and put them into practice but will also receive support in how to attract African and international film markets.

Creating a group setting where budding filmmakers can exchange experiences and share a common goal also sustains their enthusiasm over the long run.

The One Fine Day Film workshops are a joint project by DW Akademie, ONE FINE DAY FILMS and GINGER INK. The project is supported by the German Federal Ministry for Economic Cooperation and Development, the Film und Medienstiftung NRW, the Goethe-Institut Kenya and ARRI Film & TV Services.

Application deadline: May 1, 2013

Workshop: September 2 – 13, 2013

Contact: mail(at)onefinedayfilms.org

 

Other relevant information

A) QUALIFICATION
Your  application  for  the One  Fine  Day  Film Workshop will  only  be  processed  if  you  meet  the  following requirements:
1. You  fill  out  the  application  form  correctly and  fully! UNCOMPLETED  APPLICATION  FORMS WILL NOT BE CONSIDERED OR READ! In case you are selected as participant, please be aware that your data may be published on
our website and on other public materials as provided by you.
2. You have worked on at least one short  film and/or you are a student at a  film school or in a film program and/or you have experience in the film industry.
3. You have submitted a complete application.
4. You are a citizen of an African country and reside in Africa and be at least 18 years of age by September, 1st 2013.
5. You  are  fluent  in  English  language,  written  and  spoken.  The  courses  will  be  conducted  in English.
6. If  you  apply  for  the  Editing  workshop,  you  know  how  to  work  with  either  Avid  Media Composer or Final Cut Pro (basic knowledge will not be sufficient).

Expenses
The  training course is conducted  free of charge. All  teaching materials and  relevant course  related costs will be covered by One Fine Day Film Workshop.
During the workshop catering will be provided for all workshop participants.
For participants travelling from abroad (and outside Nairobi), the One Fine Day Film Workshop will cover
the following costs – within the limits of pertinent German regulations –
• Accommodation for the duration of the workshop
•Costs for return journey between place of stay and Workshop location
Travel and hotels will be organized in coordination with One Fine Day Film Workshop. Please let us know if you have friends and family in Nairobi where you can stay during the time of the workshop.
Please note: There  is  no  provision  of  per  diems.  Participants  not  living  in  country  of  workshop should bring enough means for individual expenses to cover miscellaneous expenses, like phone calls home, laundry, and other
individual costs. Furthermore One Fine Day Film Workshop does not take out health, third party-liability or accident insurance.
Please note: do not consider taking part on the One Fine Day Film Workshop as a source of income.

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Durban International Film Festival 18-28 July 2013, Call for Entries, Deadline 15 March 2013 for shorts and documentaries, 5 April 2013 for Feature Films


Media Release

Durban International Film Festival Call for Entries for 34th edition

The Durban International Film Festival (DIFF), invites filmmakers to submit their entries for its 34th edition which takes place from 18th to 28th July 2013. DIFF, the largest film festival in Southern Africa, features over 250 screenings of cutting-edge cinema from around the world with a special focus on films from South Africa and Africa. The festival hosts a film competition component and also presents screenings in township areas where cinemas are non-existent.

The festival considers films completed in 2012 and 2013, and there is no charge for entry. All submissions must be entered via the Eventival online system at http://vp.eventival.eu/cca/diff2013. Please create a visitor account to submit. The deadline for all entries, including receipt of samples, is 15th March 2013 for short films and documentaries; and 5th April 2013 for feature fiction films.

The extensive seminar and workshop programme featuring local and international filmmakers and industry professionals includes the 6th Talent Campus Durban (19th to 23rd July) in cooperation with Berlinale Talent Campus, and the 4th Durban FilmMart (19th to 22nd July) in partnership with Durban Film Office.

 

cross-posted from H-AFRLITCINE

DURBAN INTERNATIONAL FILM FESTIVAL 2013
DIFF 2013 – CALL FOR ENTRIES
The Durban International Film Festival (DIFF), invites filmmakers to submit their entries for its 34th edition which takes place from 18th to 28th July 2013

SUBMIT NOW!

DIFF, the largest film festival in Southern Africa, features over 250 screenings of cutting-edge cinema from around the world with a special focus on films from South Africa and Africa. The festival hosts a film competition component and also presents screenings in township areas where cinemas are non-existent.

The festival considers films completed in 2012 and 2013, and there is no charge for entry. All submissions must be entered via the Eventival online system at http://vp.eventival.eu/cca/diff2013. Please create a visitor account to submit.

The deadline for all entries, including receipt of samples, is:

Short Films and Documentaries – 15th March 2013

Feature Fiction Films – 5th April 2013

The extensive seminar and workshop programme featuring local and international filmmakers and industry professionals includes the 6th Talent Campus Durban (19th to 23rd July) in cooperation with Berlinale Talent Campus, and the 4th Durban FilmMart (19th to 22nd July) in partnership with Durban Film Office.

visit our website<http://www.durbanfilmfest.co.za/> | follow on Twitter<https://twitter.com/DIFFest> | like on Facebook<http://www.facebook.com/DurbanInternationalFilmFestival>

FESTIVAL ENQUIRIES:
Phone: +27 (0)31 260 2506/1816
Fax: +27 (0)31 260 3074
Email: diff@ukzn.ac.za<mailto:diff@ukzn.ac.za>

The festival is supported by the National Film and Video Foundation, the KwaZulu-Natal Department of Economic Development and Tourism, the City of Durban and other valued funders and partners.

Call For Papers: Human Rights, Literature, the Arts, and Social Sciences, 21-23 November 2013, Abstract Deadline: 31 March 2013


cross-posted from H-AFRLITCINE

Call For Papers: Human Rights, Literature, the Arts, and Social Sciences International Conference, Central Michigan University, Mt. Pleasant
November 21-23, 2013

The persistence of repressive and discriminatory national policies, cultural practices, wars, genocide, religious conflict, ethnic cleansing, terrorism, rape, child-soldiering, sex-trafficking, and other forms of violence threaten the maintenance of human rights.  These conditions remind us of the ever pressing need to safeguard our humanity through the preservation of human rights.

For this year, the conference will focus on the following topics: a) Women’s rights/violations of women’s rights; b) children’s rights/violations of children’s rights; c) and Indigenous Rights & Sovereignty.

The envisioned international conference will focus on the role of literature (the Humanities), the arts, Social Sciences and the Law in the discussion, representation, and promotion of human rights, paying special attention to the areas delineated. We wish to bring writers, artists, theorists, scholars, lawyers, and NGOs into a series of conversations that engage the issue of human rights, including the ethical, political, social, economic, and cultural implications of either violations or the constructions of human rights.

We invite presentations that address human rights as they relate to the areas identified above or specific topics by themselves or through comparative lenses. Topics/themes include, but are not limited to:

*   The novel, poetry, drama/theatre/performance
*   Ethics and international law
*   Films/cinema and human rights
*   Women’s rights in film/literature
*   The role of NGOs in the human rights debate
*   The role of NGOs in Women’s rights
*   Holocaust/Genocide/War crimes/Crimes against humanity
*   Sex trafficking, slavery, child soldiering
*   Rape as a weapon of war
*   Migration and refugee rights
*   Environmental rights
*   Human rights in the age of globalization
*   TRC or Truth Commissions (Here we want to move beyond South Africa)
*   Women’s rights in cultural, regional, national contexts;
*   Human rights compliance

Presentation formats: Papers, panels, poster sessions, debates, discussions, seminars, lectures, forums, and/or performances, and workshops.  Send abstracts to:

Professor Maureen N. Eke, Department of English
Central Michigan University, Mt. Pleasant, 48859
Email: eke1mn@cmich.edu; Maureen.eke@cmich.edu         OR

Professor Sterling Johnson, Department of Political Science
Email: johns1s@cmich.edu                                                                 OR

Professor Benjamin Ramirez-Shwegnaabi Department of History
Email: ramir1b@cmich.edu

Abstract Deadline: March 31, 2013

Hausa hiphop artist Nazir Hausawa (Ziriums) featured in Recording a Revolution: Hiphop and Social Change in Africa, Alachua County Library Headquarters, Gainsville, Florida, USA, 23 February 2013


Hausa hiphop artist Ziriums (Nazir Hausawa) will take part in an African Hip Hop event at the Alachua County Library Headquarters, in Gainesville, Florida, USA, on Saturday 23 February 2013. Ziriums was featured in the documentary Recording a Revolution, by Alex Johnson and Saman Piracha, which will screen 10am-11am. Ziriums will host a Q&A from 11am-12pm The event also features discussions with founding member of Dead Prez M1, Kamau Ngigi, founding member of Kalamashaka, a Kenyan Hip Hop group, and Michael Wanguhu, the director of the award winning documentary Ni Wakati (It’s Time), which will screen from 1-2pm.

The event is sponsored by the Center for African Studies at the University of Florida and the Alachua County Library District.

For more information, see the poster and the press release below.

Recording a revolution African hiphop event corrected version try 3

Recording a Revolution: Hip Hop and Social Change in Africa

Event Time: Saturday February 23, 2013: 10 am-5 pm

Event Location: Alachua County Library Headquarters, 4th floor

Recording a Revolution is an event that brings together artists, scholars and documentary filmmakers to discuss hip hop, the visual arts, and political activism in Africa. Two new documentaries will be presented along with a panel including the films’ directors/producers and featured hip hop artists, including American hip hop artist M1, founding member of dead prez. This panel will discuss the challenges and opportunities associated with the representation of and by artists/activists of Africa and the African diaspora, and open up a public dialogue about social and political concerns in Africa. As it coincides with Black History Month, this event will also encourage a discussion between the historical linkages between Africa and its diaspora.

The two African hip hop artists – Nazir Hausawa (aka ‘Ziriums’) of Nigeria and Kamau Ngigi of Kenya – will arrive several days before the event. If anyone is interested in meeting with them on Thursday or Friday (February 21-22), or would like more information about the featured movies or artists, please contact Sue O’Brien (smobrien@ufl.edu).

This event is sponsored by the Alachua County Public Library, as well as the Center for African Studies and the Samuel Proctor Oral History Program at the University of Florida.