Monthly Archives: August 2013

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Call for Film Submissions to the 4th Eko International Film Festival: Deadline 30 September 2013


 

The 4th edition of the Eko International Film Festival, Lagos, which will take place from 18-23 November, is accepting film submissions until 30 September (with late submissions accepted until 15 October 2013).  See the rules on their site or quoted below:

SUBMIT ENTRIES FOR THE 4TH EKO INTERNATIONAL FILM FESTIVAL, NOVEMBER 18-23, 2013, LAGOS, NIGERIA.

SUBMISSION DEADLINES

Standard Deadline: September 30, 2013.

Late Deadline: October 15, 2013.

Call For Entry Form

THE MAIN SECTIONS

Feature Film
Short Film
Fiction
Comedy
Drama
Horror
Documentaries
Student Film
1 minute short films.

ELIGIBILITY

Films must fit into one of the nine categories:Feature,Short, Fiction, comedy, documentaries, drama, Horror, Student Film 1 minute.

All music and other copyrighted materials used in the films must be original or filmmakers must have obtained permission in writing from the owner, such permissions to be submitted with the film.

All films must be submitted in English or subtitled in English.


GENERAL RULES:

Films must be submitted on DVD NTSC or PAL (please test before sending) and be available for screening on 35mm composite condition, Beta SP or Digi-Beta Video (NTSC only for festival screening).

Films must be available for screening during the Eko International Film Festival.

Narrative and Documentary films with U.S. distribution (obtained prior to being selected for EKOIFF screening) or films produced, financed or initiated by a major film studio or television network are ineligible for competition, but may be considered for special screening. Selection for screening will be determined no later than one month prior to the festival. Films that have screened at major cinemas and on cable network or distributed to theaters prior to the festival dates are also ineligible for competition.

Films that have played in Nigeria in a theatrical setting to a public audience are not eligible to be screened at the EKOIFF 2013.

Additional Narrative Feature Film Entry Requirements:

Feature-length Films must be 60 minutes or longer (recommended length 90 minutes).
Open to anyone (and all nationalities) who wishes to enter.

Additional Narrative Short Film Entry Requirements:

Films must be short narratives of 40 minutes or less (recommended length 10 minutes).
Open to anyone who wishes to enter.

Additional Narrative Student Short Film Entry Requirements:

Films must be short narratives of 40 minutes or less (recommended length 10 minutes).
Open only to students (must include proof of enrollment from accredited university or college).

One Minute Short Film Entry Requirements:

Entries must be short films of 1 minute (recommended length).
Award will be given to the best 1 minute film.
Open to any form of animation.
Open to anyone who wishes to enter.

Additional Documentary Feature Films Requirements

Films must be Documentaries, 40 minutes or longer
Open to anyone who wishes to enter.
Additional Documentary Short Film Requirements
Films must be Short Documentaries, 40 minutes or less
Open to anyone who wishes to enter.

SUBMISSION IS FREE

Please Note: Eko International Film Festival does not collect entry fees.
In a similar respect the EKOIFF does not solicit films to be in competition.
Only films submitted will be considered for competition.

Returns and Acknowledgments:
VHS tapes, DVDs, and press materials will not be returned under any circumstances. They will be destroyed after the final screenings at the film festival.
Include a self-addressed, stamped postcard for each submission if you wish acknowledgment of the receipt of your entry.

Safety and piracy issue

The festival is concerned that filmmakers’ rights should be protected against piracy. EKOIFF is establishing procedures that will guarantee these are up to profession’s best practice. These are inspired by the anti piracy actions taken in the USA and worldwide.

FILM COMPETITION AWARDS:

Eko International Film Festival welcomes partners and sponsors for the following prizes.

Nollywood Divas Awards

Jury Awards:

Narrative Films Awards

Documentary Films Awards

Short Film Awards

Eko International Film Festival Film Submission Agreement Form

Submissions from July 1- October 15, 2013
I, (first name:)…………………………………………………..
(last name:)…………………………………………………………..
Act as right owner hereafter described as “The filmmaker” own right for the following film (film name)…………………………..

The filmmaker grants permission to Eko International Film Festival (EKOIFF) and Supple Communications Limited to use clips of your film for promotional use.

The filmmaker grants the non-exclusive right for EKOIFF and Supple Communications Limited to screen, exhibit and distribute your film in its entirety for any promotion or project under the festival or foundation’s name for up to one year after the 2012 festival. EKOIFF and Supple Communications Limited may also actively pursue other distribution opportunities for your film.

The filmmaker grants EKOIFF and Supple Communications Limited and other third parties at their discretion the right to film, videotape and/or photograph your appearance or voice for any and all marketing and promotional activities for the festival.

Your submission of an entry into the Eko International Film Festival constitutes an agreement between you and EKOIFF and Supple Communications Limited, and that by submitting your film for consideration, you agree to all of these rules, terms and agreements.

Date../../2013
Name: ………………………………
Signature: …………………………

Send with your DVD to
Hope Obioma Opara
The President
Eko International Film Festival
Supple Co mm unications Limited
1, Bajulaiye Road,
Morocco Bus Stop
Shomolu, Lagos,
Nigeria.
Email: submissions@ekoiff.org

PS: ONLY SPONSORED PRIZES WILL BE AWARDED.

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Call for Papers from Studies in the Humanities: Cityscape- Deadline for abstracts 15 August 2013


Call for Papers

A Call-for Papers for a an edited book and subsequently a special double issue of the journal Studies in The Humanities on the subject of cityscape as discursive node and character.

The changes that have been wrought in the urban experience of space, time, identity, locality, and subjective imaginary, have resulted in the increasing appearance of  the global cityscape virtually as character in cultural studies discussions, drama, literature, film and documentary.  Papers can address conventional modes of representing the cityscape, such as location or background; or new ways in which the local/global dynamic in the metropolis cityscape is remapped; or compare and contrast the two modes of representation in terms of Benjamin’s flaneur, postmodernity, postcolonialism or Gilles Deleuze’s concept of modernity as constituted around a viewing, rather than an (re)-acting, subject. Papers might consider how the old cityscape is demolished in terms of a postculture of dissapearance and replaced by the production of urban imaginaries that articulate new urban visions, rearticulate old distinctions between private and public spaces through new urban militant movements, negotiate changing urban values, and critique problematic urban transformations. Of interest are questions of how the global metropolis is constituted as a cultural, dramatic, literary and cinematic character, how literature, culture, drama and cinema produces the global cityspace, and how these representations of cityspace challenge or confirm conventional understandings not only of cityscape but of citizenry as well. Papers might take up questions of how sexuality, race, class and politics; considerations of genre, nationality, and history intersect with the changing cityscape.

Detailed abstracts of articles and essays (as well as a biographical note of the author) for the edited book are invited by August 15th, 2013.  The edited book will examine cinematic, and televisual cultural studies “remapping” of the cityscape and its emergence as character as a form of registering the changed metropolitan city in globalism.

Articles, essays as well as book reviews for the special issue of the  journal will include analyses of literary and dramatic texts on the subject as well cinematic, televisual cultural studies, can be submitted in email consultation with the editor for a publishing schedule of  December, 2014. For the special double issue of the journal, book reviews on the thematic of one book or monograph or several works (at least 750 words and no more than 1,000words) may be discussed and addressed to Ozum Hatipoglu <oh46@cornell.edu.

Studies in the Humanities is a multidisciplinary journal of theoretical investigations in literature, film, drama, and cultural studies, published bi-annually at Indiana University of Pennsylvania since 1968. We encourage articles that reach across disciplines and cultures to deepen our understanding of a work, an artist, a genre, an artistic milieu, or the conditions of artistic production. Studies in the Humanities also publishes reviews of recent books in the areas of our publishing interests. Studies in the Humanities is indexed in the annual MLA Bibliography, the Film Literature Index, the American Humanities Index, An Index to Book Reviews in the Humanities, and the Journal of Abstracts of English Studies.

The manuscript (at least 10,000 words in length but no more than 12,000 words although longer essays will also be considered with good reason), double-spaced, in 12-pt. Times New Roman font using Chicago style of documentation should be electronically submitted to dubereena@gmail.com/ reena.dube@iup.edu. Please do not include your name anywhere on your manuscript or book review. Place it in a separate attachment. Also please do not use embedded endnotes or footnotes. Footnotes should be at the end of the essay with no page division between them and the text or the Works Cited list that should follow it. Email inquires regarding possible essay topics may be sent to: dubereena@gmail.com/ reena.dube@iup.edu; or Reena Dube, Editor, Studies in the Humanities, Department of English; 110 Leonard Hall; Indiana University of Pennsylvania; Indiana, PA 15705.